Amstardam san ealaín
Ailtireacht agus cathairdhreach Amstardam léirithe i saothair ealaíne
Gailearaí foilsithe
62 míreanna
Since 1889 Amsterdam’s Centraal Station has blocked the link between the Damrak (a straight stretch of the Amstel River) and the IJ (the city’s former bay). Once an open body of water, the Damrak was turned into an inner harbour. Here Breitner depicted th…
Het stadhuis op de Dam te Amsterdam, rechts de Waag en de Nieuwe Kerk.
Gerrit Adriaensz. Berckheyde painted urban views of cities such as Haarlem, Amsterdam, The Hague and Cologne. As a young man he also visited both Cologne and Heidelberg with his brother Job. Berckheyde studied the work of his predecessor Pieter Saenredam …
The cityscape developed into an independent genre only after 1650, with Berckheyde as one of its leading exponents. In this painting he recorded with mathematical precision the newly built houses along the ‘Golden Bend’, the most expensive stretch of Amst…
This city view was painted from the theatre on the Leidseplein, where the artist worked as an actor. At left is the tower of the Leidsepoort. From the high vantage point, one sees clearly how the canal called the Singelgracht once bordered onto countrysid…
Het Boltensgrachtje ter hoogte van de tegenwoordige doorgang naar de IJ-tunnel. Spiegelbeeldig. De panden links werden ca. 1930 afgebroken.
Inscription: in stone l. u. "AMSTERDAM. SEPT. 98'
Saenredam based this painting on a drawing he had made sixteen years earlier. On the step of the portico, he noted that the dilapidated town hall had in the meantime been destroyed by fire and replaced by a new monumental one (now the Palace on Dam Square…
Although Jan van der Heyden went down in history as the inventor of the fire engine and the streetlight, he was mainly a painter of Dutch cityscapes. Here, he has recorded the oldest part of Amsterdam: the Oude Kerk, or Old Church, on the Oudezijds Voorbu…
Caption: inscribed below: “de distantzie [...]” - “en geblick van de Remo [nstr?] ans Kerck/[...] van oost naer west”; re. “Vue Interieure de l 'Eglise des/Remonstrante Arminiens à Amsterdam.”
View to the Herengrach of Amsterdam. Coloured copperplate engraving. In the foreground: people and boats. The engraving has black, red, blue, green, orange and yellow colours. The title can be read in four languages.
Market on Waterlooplein, painting by Joh. van Deventer, ca. 1935
Beschriftung: Karton: von ihm [von Visscher] selbst radiert, Kopie nach der Radierung / VG. (Van Gelder)
Photograph of a painting of the building of the firm of S.I. de Vries at Keizersgracht 758 from the jubilee album of the firm of S.I. de Vries 1898-1923, circa 1898
Architekturmuseum der TU Berlin, Inv. Nr. 16448. Werk und Digitalisat sind gemeinfrei, aber wir freuen uns über einen Bildnachweis. (Bemerkung)
Beschriftung: Signiert li. unten: "C. V. Noorde."
Homes in Amsterdam. Coal drawing (1925; L. Corinth); in black and white
Waarschijnlijk de Montelbaanstoren in Amsterdam
Référence bibliographique : Gaignières, 6217; Appartient à l’ensemble documentaire : Des17Gaig
Painting depicting the Rokin in Amsterdam, house numbers 106, 108 and 110, with the Spui entrance on the left.
De bocht van de Herengracht te Amsterdam. Gezien vanaf de kant van de Vijzelstraat.
Gilded composition and wood frame, glazed.
Lijst hout; 54,5x49,5 cm; glas Ter gelegenheid van het 25-jarig bestaan van het ANDB-gebouw